SALESPACK - Computer Controlled

Mark Forshaw / Chris Moss Acid

Record label
Computer Controlled Records
Catalog Number
CC001002
Release Date
May 20th 2016
Genres

Tracks

playpostitleartistsduration
A1H1_1PMark Forshaw
A2Table EtiquetteMark Forshaw
B1Magnetic HighwayMark Forshaw
B2Take OffMark Forshaw
C1Spatial DimensionsChris Moss Acid
C2The ShamenChris Moss Acid
C3What Size Is Your JackChris Moss Acid remix EDMX
D1Righteous Acid BeatChris Moss Acid
D2Get ChuChris Moss Acid

Computer Controlled Records is a new vinyl only label from Belfast, Northern Ireland encompassing the raw analogue sounds of Chicago & Detroit style techno, house and electro keeping a DIY ethos with screen printed sleeves. The first release comes from Mark Forshaw who has previously released on Tabernacle, Mathematics, III Rivers and Apartment and is one third of Phantom Planet Outlaws alongside Binny & John Heckle. This ep delivers 4 tracks of raw analouge acid and Detroit techno funk. --- Belfast born imprint Computer Controlled Records follow up on their acid rich debut Explorer EP from Mark Forshaw with a five tracker from Chris Moss Acid on a release that also features a jacking collaboration with Breakin' Records owner and all time don DMX Krew. It marks the third in a run of original EP's from Chris Moss Acid who's been enjoying something of a renaissance in his productivity, releasing with a host of top grade labels from to Jerome Hill's revered and uncompromising techno imprint Don't and Dutch electronic hub Shipwrec. Here he delivers his five track Righteous Beats EP which is set off on the A side by Spatial Dimensions where discordant synths and bell powered melodies are ignited by driving percussion atop a pulsating bass line. Second track The Shamen rolls off driving drum fills and 303 acid lines illuminate the track as Moss Acid takes things up into peak time techno sphere until the A side is summated with his collaboration with DMX Krew, Where Is Your Jack, in a rawer toned track, featuring a jittering bassline and off kilter drum patterns which rove between distorted acid lines. The B side carries two dense and dark techno numbers to complete the acid romp; title track Righteous Acid Beat is marched along by yet another driving bass line as a pistol shots of noisy high hats punctuate the track. Ominous chants of 'We're gonna get you' lead us into final track Getchu where dark tension rides a brooding and dense techno horror story.