Eine Aufnahme voller widerlicher Verderbtheit [printed sleeve / poster insert]

Various Artists

Record label
Lux Rec
Catalog Number
LXRC50
Release Date
February 21st 2025
Genres

Tracks

playpostitleartistsduration
A1AnimalsThe Strangler of the Swamp4:09
A2Get up (Ripley Sucks) The Strangler of the Swamp5:31
A3Pu sh tThe Strangler of the Swamp0:50
B1InsideThe Strangler of the Swamp3:03
B2Bloody BeachThe Strangler of the Swamp4:00
B3King of PainThe Strangler of the Swamp4:07
C1DriverThe Swamp5:53
C2Hard Core BodysThe Swamp7:04
C3Ground IIThe Swamp3:41
C4My Body Rip UpThe Swamp5:27
D1Days of TearsBande Berne Crematoire3:54
D2Sex and WarsBande Berne Crematoire6:05
D3CreepshowBande Berne Crematoire3:47
D4Show me the Pain Bande Berne Crematoire4:08
E1Rosa BernetBande Berne Crematoire3:46
E2Kranzø RøsesBande Berne Crematoire4:16
E3EndeBande Berne Crematoire2:27
F1DevilBande Berne Crematoire4:14
F2Maid to be LaidBande Berne Crematoire4:16
F3Example of BBC Bande Berne Crematoire4:23
F4Leaving RiskBande Berne Crematoire2:39
F5The Electric Chair for Atomic SpiesBande Berne Crematoire2:46

Throughout the 1980s, Michael Antener, born and raised in Bern, Switzerland, initiated an array of sonic endeavours in the realm of industrial, dark, aggressive music. Of his times as a post-apocalyptic hunter, he says today: I found a musical niche where I could express myself, along with other people who were not afraid of dark themes. It would have been hard to sing about love in my music, so I included sounds and cries of pain taken from horror movies. It was a fortunate coincidence to come across one of his self released records, the 1986 EP Strangler of the Swamp, which marked the beginning of our quest to find this all but forgotten musician whose work seemed nowhere to be found. Eventually, we got in touch with Michael, who is still living in Bern, and began the process of searching through all his surviving musical and visual material. The triple vinyl release is all about documenting Michael Anteners adventures during that intense 1980s period. We tried our best to select the most interesting material from his two earliest projects, The Strangler of the Swamp and Bande Berne Crematoire, comprising materials from vinyl records, cassettes, and live recordings, some of it unreleased. The release also includes a deep dive into Michaels visual archive of posters, photos, and sleeve artworks. The disjointed, tumultuous body of work presented here marks the testament of a fringe musician who was disruptive and confrontational, keen to shock and alarm people (much to our liking), and who could easily have been lost in oblivion.